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The Future of Western Civilization |
Tomb or Treasure? Nietzsche and Van Gogh discuss The Future of Western Civilization
Nexus Conference
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CULTURE AS SUPERPOWER FOR EUROPE |
April 19 and 20, 2016, the European Commission organised the European Culture Forum, a biennial flagship event, aimed at raising the profile of European cultural cooperation, uniting the sector's key players, taking stock the European Agenda for Culture's implementation, and sparking debate on EU culture policy and initiatives.
This year's Forum will consist of two full days of debates, including larger plenary sessions focusing on the main aims of the European Agenda for Culture, as well as smaller, technical sessions on the work of the EU. Plenary sessions will be launched by thought-provoking inspirational speeches, followed by moderated panel debates bringing in experiences, views and questions from the audience. The Forum is focused on three main dimensions: |
1. Social element: can culture help to overcome the fragmentation of society?
2. Economic aspect: can culture help re-launching economic growth? 3. External relations: can culture improve Europe's standing in the world? My speech at the European Culture Forum 2016 in Brussels Check against delivery Ladies and gentlemen, First of all I would like to thank you for having invited me to this great event, and for giving me the opportunity to reflect on something bigger, and deeper, than the everyday crisis agenda of the current Foreign policy. Almost 25 years ago we were told we were entering the era of a clash of civilisations. We were told that wars would be fought because of religion and culture. You probably know where I stand on this: I believe there is no clash of civilisations. Wars are still being fought for the same, old reasons. Economic interests, natural resources, spheres of influence, power. And yet, there are indeed cultural clashes to fight. These clashes do not occur between civilisations, but inside each of our civilisations. Culture can be a battlefield. It has been a battlefield in Europe for centuries. Today, some global and regional players believe that culture can be “weaponised”. But culture can also be the place where people meet and make the most out of their diversity. This is the choice we have made when our Union was founded. We realized that our culture is Greek and Jewish, Roman and Anglo-Saxon, Christian and Arab, Latin and Slavic, French and German, Mediterranean and Scandinavian, religious and secular. It was not isolation, but openness what made Europe such an incredible place and project. A project of integration that the world considers – still – as a model. Exchanges made us richer, not weaker. Culture in Europe is always plural – because so many different cultures belong in this continent. European culture is diversity. European culture is distinction, and it is at the same time common ground. This is not always easy to understand, especially in these times. The so-called “multiculturalism” has not always worked. In some cases it has led to segregation. In other cases, it has led to confusion – people don’t know who they are and where they belong. Uncertainty has created fear, fear is creating hatred. Strong identities are the basis for openness. Which also means that, too often, those who are afraid of multiculturalism do not have a strong identity but rather a very weak one. |
Yes, in today’s world it is crucial to make sense of our identities and our differences. Fear originates when we don’t recognise each other, because we perceive diversity as a threat, or when we don’t know or understand each other. Our differences can lay the ground for dialogue. Our diversity can be, should be our strength as we face common threats. And this leads me to the main topic of this conversation today. When Europe engages with the world, culture has to be at the core of our foreign policy. Culture can help us fight and prevent radicalisation. But it can also foster economic growth. |
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It can strengthen diplomatic relations and mutual understanding. It can help us stand together to common threats and build partnerhips and alliances among institutions and – what counts even more- among people. This is why Tibor [Navracsics] and I will present to the Council and Parliament next month a strategy for culture in the EU external relations. A strategy, because it is not the time for improvising. This is one of the great issues in our foreign policy, and it deserves to be treated as such. |
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Young girls and boys who study in Europe bring back to their countries not just knowledge, but personal ties and a better understanding of who we are. It is our interest to keep in touch with them, and to create networks among them – and this is also part of our strategy. They can be our informal ambassadors in the world. For the same reason, I will launch in the coming months a new initiative to bring together young people and youth organisations from Europe and the Mediterranean. Mutual understanding is so much easier when you can relate to a real face, a real friendship. This is also the great thing of culture: it makes it impossible to consider people as numbers; it links every single person to a story, and every single story is worth to be told, and listened to. We are not numbers, but persons. |
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VARGAS LLOSA |
According to Vargas Llosa, the greatest achievement of a civilization is not to have a collective identity to be
stressed, simultaneously, by all individuals. It is precisely, the contrary: to have
reached a level of economic development, of culture and freedom that allow
citizens to emancipate themselves from collective identities – throwing off the
yoke – and to choose their own identity, in harmony or disharmony with the rest of the tribe. In that way, the individual can exercise his or her sovereignty, becoming authentically free.
Vargas Llosa advocated in 2004 during the international conference 'Europe, a Beautiful Idea? total freedom of expression as the only way to recognise monstrous ideologies such as communism, anti-Semitism, and fascism. Europe’s strength and richness lie
in its open society and in its culture and acceptance of diversity and choice.
Culture (from the Latin cultura, meaning "to cultivate"), generally refers to patterns of human activity and the symbolic structures that give such activity significance. Different definitions of "culture" reflect different theoretical bases for understanding, or criteria for evaluating, human activity. Anthropologists most commonly use the term "culture" to refer to the universal human capacity to classify, codify and communicate their experiences symbolically. This capacity has long been taken as a defining feature of the humans. However, primatologists such as Jane Goodall have identified aspects of culture among human's closest relatives in the animal kingdom. It can be also said that " it is the way people live in accordance to beliefs, language, history, or the way they dress. |
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WAYS OF LOOKING AT CULTURE |
Culture as civilization Many people today have an idea of "culture" that developed in Europe during the 18th and early 19th centuries. This notion of culture reflected inequalities within European societies, and between European powers and their colonies around the world. It identifies "culture" with "civilization" and contrasts it with "nature." According to this way of thinking, one can classify some countries as more civilized than others, and some people as more cultured than others. Some cultural theorists have thus tried to eliminate popular or mass culture from the definition of culture. Theorists such as Matthew Arnold (1822-1888) or the Leavisites regard culture as simply the result of "the best that has been thought and said in the world”Arnold contrasted mass/popular culture with social chaos or anarchy. On this account, culture links closely with social cultivation: the progressive refinement of human behavior. Arnold consistently uses the word this way: "... culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world". In practice, culture referred to élite activities such as museum-caliber art and classical music, and the word cultured described people who knew about, and took part in, these activities. These are often called "high culture" to distinguish them from mass culture or popular culture. |
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Culture as symbols
The symbolic view of culture, the legacy of Clifford Geertz (1973) and Victor Turner (1967), holds symbols to be both the practices of social actors and the context that gives such practices meaning. Anthony P. Cohen (1985) writes of the "symbolic gloss" which allows social actors to use common symbols to communicate and understand each other while still imbuing these symbols with personal significance and meanings.Symbols provide the limits of cultured thought. Members of a culture rely on these symbols to frame their thoughts and expressions in intelligible terms. In short, symbols make culture possible, reproducible and readable. They are the "webs of significance" in Weber's sense that, to quote Pierre Bourdieu (1977), "give regularity, unity and systematicity to the practices of a group."Thus, for example:
Culture as a stabilizing mechanism Modern cultural theory also considers the possibility that (a) culture itself is a product of stabilization tendencies inherent in evolutionary pressures toward self-similarity and self-cognition of societies as wholes, or tribalisms. See Steven Wolfram's A new kind of science on iterated simple algorithms from genetic unfolding, from which the concept of culture as an operating mechanism can be developed, and Richard Dawkins' The Extended Phenotype for discussion of genetic and memetic stability over time, through negative feedback mechanisms. Culture and evolutionary psychology Researchers in evolutionary psychology argue that the mind is a system of neurocognitive information processing modules designed by natural selection to solve the adaptive problems of our distant anscestors. According to evolutionary psychologists, the diversity of forms that human cultures take are constrained (indeed, made possible) by innate information processing mechanisms underlying our behavior, including language acquisition modules, incest avoidance mechanisms, cheater detection mechanisms, intelligence and sex-specific mating preferences, foraging mechanisms, alliance-tracking mechanisms, agent detection mechanisms, fear and protection mechanisms (survival mechanisms) and so on. These mechanisms are theorized to be the psychological foundations of culture. In order to fully understand culture we must understand its biological conditions of possibility. Cultures within a society Large societies often have subcultures, or groups of people with distinct sets of behavior and beliefs that differentiate them from a larger culture of which they are a part. The subculture may be distinctive because of the age of its members, or by their race, ethnicity, class or gender. The qualities that determine a subculture as distinct may be aesthetic, religious, occupational, political, sexual or a combination of these factors |
The way nation states treat immigrant cultures rarely falls neatly into one or another of the above approaches. The degree of difference with the host culture (i.e., "foreignness"), the number of immigrants, attitudes of the resident population, the type of government policies that are enacted and the effectiveness of those policies all make it difficult to generalize about the effects. Similarly with other subcultures within a society, attitudes of the mainstream population and communications between various cultural groups play a major role in determining outcomes. The study of cultures within a society is complex and research must take into account a myriad of variables. |
In 2010, journalist Michele Norris began inviting people to distill their thoughts on the word race to only six words. Printing 200 postcards and issuing a call to action, Norris and her team were unsure of what – if anything – would result. What took root was a groundswell. With just a small footprint, it was clear Norris created a vehicle for expression and voice for which it seemed many were longing. |
EUROPE's CULTURE |
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Some cultural and artistic modalities are also characteristically Western in origin and form. While dance, music, story-telling, and architecture are human universals, they are expressed in the West in certain characteristic ways. The symphony has its origins in Italy. Many important musical instruments used by cultures all over the world were also developed in the West; among them are the violin, piano, pipe organ, saxophone, trombone, clarinet, and the theremin. The solo piano, symphony orchestra and the string quartet are also important performing musical forms. The ballet is a distinctively Western form of performance dance. The ballroom dance is an important Western variety of dance for the elite. The polka, the square dance, and the Irish step dance are very well-known Western forms of folk dance. While epic literary works in verse such as the Mahabarata and Homer's Iliad are ancient and occurred worldwide, the novel as a distinct form of story telling only arose in the West (with the possible exception, though isolated, of the Japanese Tale of Genji) in the period 1200 to 1750. Photography and the motion picture as a technology and as the basis for entirely new art forms were also developed first in the West. The soap opera, a popular culture dramatic form originated in the United States first on radio in the 1930's, then a couple of decades later on television. The music video was also developed in the West in the middle of the twentieth century. The arch, the dome and the flying buttress as architectural motifs were first used by the Romans. Important western architectural motifs include the doric, corinthian and the ionic column, and the Romanesque, Gothic, Baroque and Victorian styles are still widely recognised, and used even today, in the West. Much of Western architecture emphasises repetition of simple motifs, straight lines and expansive, undecorated planes. A modern ubiquitous architectural form emphasising this characteristic, first developed in New York and Chicago, is the skyscraper. Oil painting is said to have originated by Jan van Eyck, and perspective drawings and paintings had their earliest practitioners in Florence. In art, the Celtic knot is a very distinctive Western repeated motif. Depictions of the nude human male and female in photography, painting and sculpture are frequently considered to have special artistic merit. Realistic portraiture is especially valued. In Western dance, music, plays and other arts, the performers are only very infrequently masked. There are essentially no taboos against depicting God, or other religious figures, in a representational fashion. Influence of Western Culture Elements of Western culture have had a very influential role on other cultures worldwide. People of many cultures, both Western and non-Western, equate "modernisation" with "westernisation," but many non-Westerners (and some Westerners) object to the implication that all societies should also adopt Western ideas and values. Some members of the non-Western world have suggested that this the link between technological progress and certain harmful Western values provides a reason why much of "modernity" should be rejected as being incompatible with their vision and the values of their societies. What is generally uncontested, is that much of the technology and social patterns which make up what is defined as "modernisation" were developed in the Western world. Whether these technological and social patterns be intrinsically part of Western culture, is more difficult to answer. Many would argue that the question cannot be answered by a response from positivistic science and instead is a "value" question which must be answered from a value system (e.g. philosophy, religion, political doctrine). Nonetheless, much of anthropology today has shown the close links between the physical environment and daily activities and the formation of a culture (the findings of cultural ecology, among others). Therefore, the impact of "modernisation" and "modern" technology may not merely be "scientific" (that is, physical) but may possibly be closely linked with a certain culture, that of the West, such that without such technology, Western culture today would have been dramatically different from how it is known in actual historical and contemporary times. Music, art, story-telling and architecture Some cultural and artistic modalities are also characteristically Western in origin and form. While dance, music, story-telling, and architecture are human universals, they are expressed in the West in certain characteristic ways. The symphony has its origins in Italy. Many important musical instruments used by cultures all over the world were also developed in the West; among them are the violin, piano, pipe organ, saxophone, trombone, clarinet, and the theremin. The solo piano, symphony orchestra and the string quartet are also important performing musical forms. The ballet is a distinctively Western form of performance dance. The ballroom dance is an important Western variety of dance for the elite. The polka, the square dance, and the Irish step dance are very well-known Western forms of folk dance. While epic literary works in verse such as the Mahabarata and Homer's Iliad are ancient and occurred worldwide, the novel as a distinct form of story telling only arose in the West (with the possible exception, though isolated, of the Japanese Tale of Genji) in the period 1200 to 1750. Photography and the motion picture as a technology and as the basis for entirely new art forms were also developed first in the West. The soap opera, a popular culture dramatic form originated in the United States first on radio in the 1930's, then a couple of decades later on television. The music video was also developed in the West in the middle of the twentieth century. The arch, the dome and the flying buttress as architectural motifs were first used by the Romans. Important western architectural motifs include the doric, corinthian and the ionic column, and the Romanesque, Gothic, Baroque and Victorian styles are still widely recognised, and used even today, in the West. Much of Western architecture emphasises repetition of simple motifs, straight lines and expansive, undecorated planes. A modern ubiquitous architectural form emphasising this characteristic, first developed in New York and Chicago, is the skyscraper. Oil painting is said to have originated by Jan van Eyck, and perspective drawings and paintings had their earliest practitioners in Florence. In art, the Celtic knot is a very distinctive Western repeated motif. Depictions of the nude human male and female in photography, painting and sculpture are frequently considered to have special artistic merit. Realistic portraiture is especially valued. In Western dance, music, plays and other arts, the performers are only very infrequently masked. There are essentially no taboos against depicting God, or other religious figures, in a representational fashion. Beyond art and politics Apart from food, literature, art, music, religion, and politics, many aspects of Western culture differ from other cultures around the world. Western culture has evolved and changed throughout the past centuries, but at the same time certain themes and trends persist to varying degrees:
Occidental marriage customs which are occasionally different in other cultures today are:
Western scientific and technological achievements A feature of Western culture is its focus on science and technology, and its ability to generate new processes, materials and material artifacts. It was the West that first developed steam power and adapted its use into factories, and for the generation of electrical power. Nuclear power stations are derived from the first atomic pile in Chicago (1942). The electrical dynamo, transformer, electric motor, and electric light, and indeed most of the familiar electrical appliances, were inventions of the West. New communication devices and systems such as the telegraph, the telephone, fax, the transatlantic cable, radio and television, the communications and navigation satellites, mobile phones, the internet and the web can all be credited to the West. Furthermore, ubiquitous materials such as concrete, aluminum, clear glass, synthetic rubber, synthetic diamond and the plastics, among others, are all inventions of the West. Iron and steel ships, bridges and skyscrapers first appeared in the West. The pencil, ballpoint pen LCD, LED, the photograph, photocopy, laser printer and plasma display screen were too. The ship's chronometer, the engine powered screw propeller, the locomotive, bicycle, automobile, and aeroplane were all invented in the West. Eyeglasses, the telescope, and the microscope and electron microscope, all the varieties of chromatography, protein and DNA sequencing, x-rays, and light, ultraviolet and infrared spectroscopy, were all first developed and applied in Western laboratories, hospitals and factories. In medicine, Vaccination, anesthesia, MRI, the birth control pill, and all the pure antibiotics were discovered in the West. The method of preventing Rh disease, the treatment of diabetes, and the germ theory of disease were discovered by Westerners. The eradication of that ancient scourge, smallpox, was led by a Westerner, Donald Henderson. Radiography, Computed tomography, Positron emission tomography and Medical ultrasonography are important diagnostic tools developed in the West. So were the stethoscope, electrocardiograph, and the endoscope. Vitamins, hormonal contraception, hormones, insulin, Beta blockers and ACE inhibitors, along with a host of other medically proven drugs were first utilised to treat disease in the West. The double-blind study and evidence-based medicine are critical scientific techniques widely used in the West for medical purposes. In mathematics, calculus, statistics, logic, vector, tensor and complex analysis, group theory and topology were developed by Westerners. In biology, evolution, chromosomes, DNA, genetics and the methods of molecular biology are creatures of the West. In physics, the science of mechanics and quantum mechanics, relativity, thermodynamics, and statistical mechanics were all discovered by Westerners. The atom, nucleus, electron, neutron and proton were all unveiled by Westerners. Most of the elements, as well as the correct notion of elements themselves were discovered in the West. Nitrogen fixation and petrochemicals were achievements of Westerners. Chemistry itself became a science in the West. Westerners are also known for their explorations of the globe and space. The first expedition to circumnavigate the Earth was by Westerners, as well as the first to set foot on the Poles, and the first to land on the moon. The landing of robots on Mars and on an asteroid, and the Voyager explorations of the outer planets were all achievements of Westerners. Contemporary Western culture Differences There are many differences between the most populous regions of the western culture, the United States and Western Europe. Religion has waned considerably in Western Europe. Many western Europeans are agnostic or atheist The religiosity and the belief in a deity in the United States is still very strong, with 85-91% of the population believing in a deity. Similarities Western countries are more developed than other countries in the world. This means that, compared to other cultures, a smaller percentage of society is poor. The richness of the majority of westerners result in freedom expressed in consumerism. Westerners have the ability to travel around the world, which they do en masse during holidays. Western countries tend to have low fertility rates relative to less developed countries, though this has not always been the case. Western cultures tend to emphasise the individual, making them socially and politically individualistic, rather than collective. However, a number of Western nations are or have been economically collective. Democracy, which also favors the concept of individualism, is the preferred form of government in western society. Additionally, creativity and the expression of the individual is commonly encouraged in western societies so long it does not violate any social norms or established laws. Some forms of personal expression, violating rather minor folkways are most commonly accepted. Furthermore, capitalism which is found in almost every western nation, supports an individualistic ideology. In western society consumer products are often meant to reflect upon their owner in addition to serving a utilitarian purpose. Everything from license plates, cell phone ring-tones, and kitchen sets can be custom tailored to meet the desires of each individual customer. Social critics have often pointed to high divorce rates and low amounts of civil activism as the negative externalities of individualistic societies. Media in Western countries have paid much attention to disasters that happen around the world. Many Westerners are active in helping people around the world through charities or state intervention. The enormous amount of information, products, and subcultures leads to reduced adherence to ideologies. Change is an important feature of Western culture. New subcultures, variations on dominant themes in politics, the arts, and technologies, constantly emerge and evolve. Tradition and authority are often viewed with suspicion, hopefully to be overwhelmed and improved by the next new thing. Belief systems Religion and other belief systems are often integral to a culture. Religion, from the Latin religare, meaning "to bind fast", is a feature of cultures throughout human history. The Dictionary of Philosophy and Religion defines religion in the following way:
Religion often codifies behavior, such as with the 10 Commandments of Christianity or the five precepts of Buddhism. Sometimes it is involved with government, as in a theocracy. It also influences arts. Eurocentric custom to some extent divides humanity into Western and non-Western cultures, although this has some flaws. Western culture spread from Europe most strongly to Australia, Canada, and the United States. It is influenced by ancient Greece, ancient Rome and the Christian church. Western culture tends to be more individualistic than non-Western cultures. It also sees man, god, and nature or the universe more separately than non-Western cultures. It is marked by economic wealth, literacy, and technological advancement, although these traits are not exclusive to it. Abrahamic religions Judaism is one of, if not the first, recorded monotheistic faiths and one of the oldest religious traditions still practiced today. The values and history of the Jewish people are a major part of the foundation of other Abrahamic religions such as Christianity, Islam, as well as Samaritanism and the Bahá'í Faith. Christianity was the dominant feature in shaping European culture for at least the last 1700 years. Modern philosophical thought has very much been influenced by Christian philosophers such as St. Thomas Aquinas and Erasmus. European colonization and missionaries have spread it. Marriage Religion often influences marriage and sexual practices. Most Christian churches give some form of blessing to a marriage; the wedding ceremony typically includes some sort of pledge by the community to support the relationship. In marriage, Christians draw a parallel with the relationship between Jesus Christ and His Church. The Roman Catholic Church believes it is morally wrong to divorce, and divorcées cannot remarry in a church marriage. Cultural studies Cultural studies developed in the late 20th century, in part through the re-introduction of Marxist thought into sociology, and in part through the articulation of sociology and other academic disciplines such as literary criticism. This movement aimed to focus on the analysis of subcultures in capitalist societies. Following the non-anthropological tradition, cultural studies generally focus on the study of consumption goods (such as fashion, art, and literature). Because the 18th- and 19th-century distinction between "high" and "low" culture seems inappropriate to apply to the mass-produced and mass-marketed consumption goods which cultural studies analyses, these scholars refer instead to "popular culture". Today, some anthropologists have joined the project of cultural studies. Most, however, reject the identification of culture with consumption goods. Furthermore, many now reject the notion of culture as bounded, and consequently reject the notion of subculture. Instead, they see culture as a complex web of shifting patterns that link people in different locales and that link social formations of different scales. According to this view, any group can construct its own cultural identity. Currently, a debate is underway regarding whether or not culture can actually change fundamental human cognition. Researchers are divided on the question. Cultural change Cultures, by predisposition, both embrace and resist change, depending on culture traits. For example, men and women have complementary roles in many cultures. One gender might desire changes that affect the other, as happened in the second half of the 20th century in western cultures. Thus there are both dynamic influences that encourage acceptance of new things, and conservative forces that resist change. Three kinds of influence cause both change and resistance to it:
Cultural change can come about due to the environment, to inventions (and other internal influences), and to contact with other cultures. For example, the end of the last ice age helped lead to the invention of agriculture, which in its turn brought about many cultural innovations. In diffusion, the form of something (though not necessarily its meaning) moves from one culture to another. For example, hamburgers, mundane in the United States, seemed exotic when introduced into China. "Stimulus diffusion" refers to an element of one culture leading to an invention in another. Diffusion of innovations theory presents a research-based model of why and when individuals and cultures adopt new ideas, practices, and products. Cultural invention has come to mean any innovation that is new and found to be useful to a group of people and expressed in their behavior but which does not exist as a physical object. Humanity is in a global "accelerating culture change period", driven by the expansion of international commerce, the mass media, and above all, the human population explosion, among other factors. The world's population now doubles in less than years. Culture change is complex and has far-ranging effects. Sociologists and anthropologists believe that a holistic approach to the study of cultures and their environments is needed to understand all of the various aspects of change. Human existence may best be looked at as a "multifaceted whole." Only from this vantage can one grasp the realities of culture change. Culture tells us who we are. |